Co-creation

Parece que o Mundo (It Seems the World)

“Parece que o Mundo” brings together Clara Andermatt and the composer João Lucas, who has been a long-time collaborator of the choreographer. Inspired by Italo Calvino’s "Palomar", the piece encourages the act of observing, while examining the subjective relation that is established between the observer and the one being observed. On stage, a diverse group of dancers and musicians share an expressivity which interweaves the gestures of the bodies with the sounds of musical instruments in motion.

Suspensão (Suspension)

“Suspensão” is an enigmatic performance of an experimental nature that brings together Clara Andermatt and two composers, Jonas Runa and António Sá-Dantas, for a co-creation and a joint interpretation in different artistic fields. Light-sensitive sensors distributed throughout the stage are activated by the interference of the body, creating sound that is modulated by the movement of the interpreters, in a game of shadows and light that proposes new interactions between sound and movement.

 

Durações de um Minuto (The Duration of a Minute)

Invited by Jorge Salavisa, at the time director of one of the most important venues for the performing arts in Lisbon, the São Luiz Teatro Municipal, Clara Andermatt and the film director Marco Martins speculate over how each minute is spent along our lives, and the way people relate to time and memory. “Durações de Um Minuto” is a piece based on texts by Gonçalo M. Tavares. The dancers, actors and musicians were asked to contribute biographical details for the construction of the performance.

Dançar Cabo Verde (Dancing Cape Verde)

In 1993, Jorge Salavisa, who was responsible for the Dance programme for “Lisbon'94 - European Cultural Capital”, invited Clara Andermatt and Paulo Ribeiro to travel to Cape Verde to work together on a new piece, based on the encounter with the dances and the music from that country. “Dançar Cabo Verde” signals the start of a new relation between Portuguese contemporary dance and traditional African expressions, and a long and remarkable collaboration of Clara Andermatt with that country.